Skip to main content
Moïse B. Selph

An Ifrikya FM production

Umuzi

The roots.

  • Season 1 — September 2026
  • One language per episode
  • 15–20 min
  • Five axes, scored in koris
A baobab tree beside a dirt path

Umuzi is an Ifrikya FM production, launched by Moïse B. Selph and devoted to African languages: each episode explores one language as living heritage — its history, its reach, and what it tells us about the people who speak it.

A tree only stands by what cannot be seen: its roots. And the roots of Africa are its languages. Umuzi means “root” in Kinyarwanda — that is where the project takes its name.

The branches are our peoples. The roots are our languages.

The universe

A vast baobab, Muti, growing in Zamani.

The project imagines Africa as a vast baobab, Muti, growing in Zamani — “the time before,” where the roots of all our languages sleep. The tree’s branches are our peoples and cultures; but a tree only stands by what cannot be seen: its roots.

Scoring in koris

Five axes, scored in koris.

Each language is rated across five axes, scored in koris — the cowrie shells once used as currency. The more familiar and far-reaching a language, the more koris it gathers.

  1. Axe 1

    Vitality

    Speakers, transmission to children, official status, vitality.

    / 5 koris

  2. Axe 2

    Reach

    Geographic reach, lingua-franca role, diaspora.

    / 5 koris

  3. Axe 3

    Crossroads · Influence

    Contact, loanwords given and received.

    / 5 koris

  4. Axe 4

    Written heritage

    Script, ancient texts, literature.

    / 5 koris

  5. Axe 5

    Modern presence

    Digital, media, music, current creation.

    / 5 koris

The guest’s answers feed both the project and the koris verdict for each axis.

In koris

The languages scored so far.

No verdicts yet.

Every language covered will be scored here, axis by axis, as it comes out.

Season 1

Nine months, thirty-six languages.

The roadmap is public: thirty-six suggested languages, from the great trees to rare treasures, each with its family, region and ideal guest. It is also an open call: every language there is waiting for a voice.

How an episode runs

  1. 01The sound hook
  2. 02The identity card
  3. 03The story
  4. 04The treasures
  5. 05The koris verdict

Who I am looking for

Seven profiles, one requirement: to love a language.

  • Linguists and researchers

    The eye that knows: classification, vitality, script, transmission. You are the first voice I am looking for — the one that gives the project its rigour.

  • Native speakers

    Your language, your voice. Nobody can tell a language like the people who live it every day.

  • Writers and poets

    What a language does to literature: proverbs, untranslatables, ancient texts and today’s creations.

  • Musicians and artists

    Rumba, rap, the sounds of a market: a language also lives in music and in the street.

  • Teachers

    Those who pass it on: in school, at home, in workshops. Vitality is decided in your classrooms.

  • Content creators

    Keyboards, wikis, social media, AI: a language’s modern presence is built online, and you carry it.

  • Language revitalisation activists

    You defend an endangered language, you document it, you wake it up. That is exactly the kind of fight the project wants to tell.

The season map

Thirty-six languages, each waiting for a voice.

Here is the season 1 roadmap, filterable by language or region. If one of these languages is yours — or the one you study — you have a place in that episode. And if it is missing, that is exactly what the form is for.

36 languages

Block 1 — The great trees· E1 – E9

  • E1

    Swahili

    Locuteur natif kényan/tanzanien

  • E2

    Arabe (dialectal maghrébin)

    Linguiste dialectologue

  • E3

    Haoussa

    Locuteur nigérian/nigérien

  • E4

    Yoruba

    Locuteur natif / musicien

  • E5

    Amharique

    Locuteur éthiopien

  • E6

    Wolof

    Locuteur sénégalais

  • E7

    Zoulou

    Locuteur sud-africain

  • E8

    Lingala

    Musicien / locuteur congolais

  • E9

    Bilan : la grande famille bantoue

    — (sans intervenant)

Block 2 — The crossroads· E10 – E18

  • E10

    Bambara / Mandingue

    Locuteur malien

  • E11

    Peul (Fulfulde)

    Locuteur peul

  • E12

    Berbère / Tamazight

    Linguiste / militant amazigh

  • E13

    Somali

    Locuteur somalien

  • E14

    Kikongo

    Linguiste

  • E15

    Shona

    Locuteur zimbabwéen

  • E16

    Tigrinya

    Locuteur érythréen

  • E17

    Soninké

    Locuteur natif

  • E18

    Bilan : les langues d’emprunt

    — (sans intervenant)

Block 3 — Rare treasures· E19 – E27

  • E19

    Khoïsan (ex. !Xóõ)

    Linguiste spécialiste

  • E20

    Nubien

    Linguiste / locuteur

  • E21

    Dinka

    Locuteur sud-soudanais

  • E22

    Malgache

    Locuteur malgache

  • E23

    Éwé

    Locuteur togolais/ghanéen

  • E24

    Kanouri

    Linguiste

  • E25

    Sango

    Locuteur centrafricain

  • E26

    Oromo

    Locuteur éthiopien

  • E27

    Bilan : les langues menacées

    — (sans intervenant)

Block 4 — Alive today· E28 – E36

  • E28

    Nouchi (argot ivoirien)

    Artiste / jeune locuteur

  • E29

    Créole mauricien

    Locuteur mauricien

  • E30

    Afrikaans

    Linguiste

  • E31

    Pidgin nigérian

    Créateur de contenu nigérian

  • E32

    Comorien

    Locuteur comorien

  • E33

    Tswana

    Locuteur botswanais

  • E34

    Krio

    Linguiste / locuteur

  • E35

    Darija (libre / au choix)

    Locuteur / artiste

  • E36

    Bilan de saison : l’arbre entier

    — (sans intervenant)

The languages listed are planning suggestions: nothing is set in stone. A linguist excited about a language missing from the map is a better reason to give it an episode than a checked box.

Your role

A remote interview of around 25–30 minutes.

Your contribution is a remote interview — video or phone — which I then edit to feature excerpts in the episode. The questions are sent in advance. You are credited, and the episode is shared on LinkedIn with a pan-African audience.

The form

Suggest a language, your voice, or someone else’s.

Four or five minutes is enough. The interview questions are sent to you in advance, and a proverb you love beats a CV.

Your suggestion

A word everyone knows, a proverb, a speaker count — better than a general introduction.

A news event, a census just released, a language gaining or losing speakers. That is what decides the schedule.

Nothing can be bought: selection is editorial, and the rules I set myself are public.

Related essays

One article in seven episodes on African languages.